Yet to this day the myth persists that Gibson and Fender and that lot sued the bejeezus out of dozens (if not hundreds) of "clone" makers, usually Japanese. It is apparently the ONLY lawsuit ever thus filed. Really, it was little more than a puffed-up cease-and-desist threat, rendered pointless as Ibanez had changed the shape more than a year previous. The truth: Norlin Corporation (owner of Gibson Guitars among other brands) filed suit June 28, 1977, against Elger (owner of Ibanez) over the shape of some guitar headstocks, claiming trademark infringement. This particular diode ladder filter was originally developed by Eugene Zumchak (a former Moog employee) as a "work around" of the original patent (held by Dr Bob Moog) for the transistor ladder filter - the diode ladder was considered sufficiently different that it did not infringe the patent at the time." This "infringement" immediately struck me as repurposing the widespread "lawsuit guitar" myth. That diode filter gives it a different, perhaps more interesting, sound than the later ladder filter in the SH-3a." "The AJH Synth Sonic XV filter core is based on the diode ladder filter from the original Musonics Sonic V synthesiser dating back to the early 1970's. It used a diode filter like the EMS VCS3. "Contrary to common belief, the initial version "SH-3" did not infringe on the transistor ladder-filter patent of Robert Moog. After a few minutes' research, I've removed it. Having watched the rise of both Roland and Moog in my lifetime, this is the first mention I have seen of any such lawsuit. but was there a lawsuit?ģ1.50.2.199 ( talk) 22:08, 1 April 2017 (UTC) I take it you're referring to Infringed upon Bob Moog's filter patent. either one of the two designs could be said to overlap with moog's filter design. the sh2000 & the sh3a use transistor ladder filters.
the sh1000 & the original sh3 use diode ladder filters.
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Lyle guitars dating archive#
Brewer will release a video every month between now and the end of 2019 and will perform this music live in concert throughout the New England region and beyond. “Lyle Brewer has found his own voice on the guitar and he’s using that voice to reimagine these songs with imagination & intelligence.This page is an archive of past discussions.
Lyle guitars dating series#
Next up is a series of solo guitar interpretations of Grateful Dead music entitled, ‘Let It Grow’ with Lyle Brewer, presenting a fresh new take on this music with a nod to the beautiful, peaceful and timeless nature of the songs. Brewer’s technical ability is staggering – each note both runs into the next and seems to stand out on its own. “It’s achingly clear and beautifully produced. Here’s what USA Today had to say about his 2015 original solo guitar album, “Juno”: Even with so much to do technically, Brewer maintains focus on nuance, dynamics, phrasing, and tone color. As a solo performer, he plays bass lines, melody and chords all at the same time. Since leaving RMB in 2014, Brewer has been making a name for himself as a solo guitarist. A widely admired and respected guitarist, he has been recognized as a major force in the national jam band scene with the Ryan Montbleau Band and Unsafe At Any Speed with Dave Bruzza from Greensky Bluegrass.
Lyle Brewer is one of the best kept secrets in music.
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